{"id":820,"date":"2023-08-22T15:35:14","date_gmt":"2023-08-22T15:35:14","guid":{"rendered":"https:\/\/opgw.de\/?page_id=820"},"modified":"2026-01-18T11:11:04","modified_gmt":"2026-01-18T11:11:04","slug":"salvador-dali","status":"publish","type":"page","link":"https:\/\/artgedeck.de\/en\/salvador-dali\/","title":{"rendered":"Salvador Dal\u00ed"},"content":{"rendered":"[et_pb_section fb_built=&#8220;1&#8243; fullwidth=&#8220;on&#8220; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; background_image=&#8220;https:\/\/artgedeck.de\/wp-content\/uploads\/2023\/07\/werkstatt-18-1.jpeg&#8220; global_module=&#8220;1699&#8243; saved_tabs=&#8220;all&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_fullwidth_slider _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_slide _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; background_image=&#8220;https:\/\/artgedeck.de\/wp-content\/uploads\/2023\/07\/startbild_Gallerie_1.jpg&#8220; 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background_repeat__hover_enabled=&#8220;no-repeat&#8220; background_blend__hover=&#8220;normal&#8220; background_blend__hover_enabled=&#8220;normal&#8220; background_color_gradient_stops__hover=&#8220;#2b87da 0%|#29c4a9 100%&#8220;][et_pb_row _builder_version=&#8220;4.21.0&#8243; _module_preset=&#8220;default&#8220; custom_padding=&#8220;10px||0px||false|false&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.21.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; header_line_height=&#8220;1.1em&#8220; background_color=&#8220;#e5e5e5&#8243; custom_margin=&#8220;10px||||false|false&#8220; custom_margin_tablet=&#8220;10px||||false|false&#8220; custom_margin_phone=&#8220;10px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_padding=&#8220;10px|10px||10px|false|false&#8220; text_font_size_phone=&#8220;14px&#8220; text_font_size_last_edited=&#8220;off|phone&#8220; header_font_tablet=&#8220;&#8220; header_font_phone=&#8220;|600|||||||&#8220; header_font_last_edited=&#8220;on|phone&#8220; header_font_size_tablet=&#8220;&#8220; header_font_size_phone=&#8220;22px&#8220; header_font_size_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;]<h1>The Temptation of the Cow in Salvador Dal\u00ed's Style<\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image src=&#8220;https:\/\/artgedeck.de\/wp-content\/uploads\/2023\/10\/gerahmter_Dali700.jpg&#8220; alt=&#8220;Die Versuchung der Kuh nach Salvador Dal\u00ed&#8220; title_text=&#8220;gerahmter_Dali700&#8243; align=&#8220;center&#8220; align_tablet=&#8220;center&#8220; align_phone=&#8220;center&#8220; align_last_edited=&#8220;on|desktop&#8220; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; width_tablet=&#8220;88%&#8220; width_phone=&#8220;100%&#8220; width_last_edited=&#8220;on|phone&#8220; max_width_tablet=&#8220;100%&#8220; max_width_phone=&#8220;100%&#8220; max_width_last_edited=&#8220;on|phone&#8220; min_height=&#8220;100px&#8220; min_height_tablet=&#8220;280px&#8220; min_height_phone=&#8220;177px&#8220; min_height_last_edited=&#8220;on|tablet&#8220; height=&#8220;621px&#8220; height_tablet=&#8220;&#8220; height_phone=&#8220;368px&#8220; height_last_edited=&#8220;on|desktop&#8220; max_height_tablet=&#8220;&#8220; max_height_phone=&#8220;399px&#8220; max_height_last_edited=&#8220;on|phone&#8220; custom_margin=&#8220;||||false|false&#8220; custom_padding=&#8220;||||false|false&#8220; custom_css_main_element=&#8220;padding: 25px;&#8220; border_color_all=&#8220;#000000&#8243; border_style_all=&#8220;double&#8220; box_shadow_style=&#8220;preset2&#8243; box_shadow_blur=&#8220;4px&#8220; global_colors_info=&#8220;{}&#8220; custom_css_main_element_last_edited=&#8220;on|desktop&#8220; custom_css_main_element_tablet=&#8220;padding: 25px;&#8220; custom_css_main_element_phone=&#8220;padding: 25px;&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; text_font=&#8220;Abhaya Libre||||||||&#8220; background_color=&#8220;#f9f9f9&#8243; width=&#8220;35%&#8220; width_tablet=&#8220;57%&#8220; width_phone=&#8220;94%&#8220; width_last_edited=&#8220;on|phone&#8220; max_width=&#8220;33%&#8220; max_width_tablet=&#8220;61%&#8220; max_width_phone=&#8220;91%&#8220; max_width_last_edited=&#8220;on|tablet&#8220; module_alignment=&#8220;center&#8220; custom_margin=&#8220;-43px|442px|||false|false&#8220; custom_margin_tablet=&#8220;10px||||false|false&#8220; custom_margin_phone=&#8220;10px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_padding=&#8220;25px||3px|28px|false|false&#8220; header_font_tablet=&#8220;&#8220; header_font_phone=&#8220;|600|||||||&#8220; header_font_last_edited=&#8220;on|phone&#8220; border_width_all=&#8220;3px&#8220; border_color_all=&#8220;#0C71C3&#8243; box_shadow_style=&#8220;preset4&#8243; box_shadow_horizontal=&#8220;6px&#8220; box_shadow_vertical=&#8220;6px&#8220; box_shadow_blur=&#8220;4px&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220;]<h1>The Temptation of the Cow<\/h1>\n<h1>\u00a0 \u00a0 \u00a0 \u00a0in Salvador Dal\u00ed's Style<\/h1>\n<ul>\n<li>\n<h4>39 inches by 59 inches, portrait format<\/h4>\n<\/li>\n<li>\n<h4>Acrylic on canvas<\/h4>\n<\/li>\n<\/ul>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_2,1_2&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; custom_margin=&#8220;|10px||10px|false|true&#8220; custom_padding=&#8220;0px||9px|||&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; sticky_enabled=&#8220;0&#8243;]<p>The model for this painting is <a href=\"https:\/\/bildbeschreibungen.com\/2016\/10\/27\/100-meisterwerke-45-versuchung-des-heiligen-antonius-von-salvador-dali\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\">The Temptation of St Anthony<\/span><\/span><\/strong><\/a> by Salvador Dal\u00ed. It is in landscape format and measures approximately one metre by one metre twenty. A procession of giant animals on long spider legs strides towards a naked man, St Anthony. The picture has a nightmarish effect in Dal\u00ed's work. I have enlarged the left part of it.<br \/>The scene shows a withered landscape just before a thunderstorm. Oats are growing in the foreground. To be precise, it is just one plant with four ears. One leaf has dried up. Nothing else is growing on the brown soil. A cow rears up in front of the plant. The hind legs are extended by an<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.23&#8243; _module_preset=&#8220;default&#8220; custom_margin=&#8220;|10px||10px|false|true&#8220; custom_margin_tablet=&#8220;|10px||10px|false|true&#8220; custom_margin_phone=&#8220;-38px||||false|true&#8220; custom_margin_last_edited=&#8220;on|desktop&#8220; custom_padding=&#8220;0px||||false|false&#8220; global_colors_info=&#8220;{}&#8220;]<p>extra limb, making the animal look even bigger and more menacing. Its coat is light grey and its udder bright pink. The play of muscles is clearly visible. The lashing tail emphasises the cow's ferocity and the danger to the oats. The coat reflects the bright blue of the sky and the black of the gathering clouds.<br \/>I see no future for the oats: they will either be eaten by the cow, trampled by it or washed away by the gathering storm.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#e5e5e5&#8243; custom_padding=&#8220;6px|||5px|false|false&#8220; global_colors_info=&#8220;{}&#8220;]<h1><a href=\"https:\/\/artgedeck.de\/en\/gallerie\/\"><span style=\"text-decoration: underline;\"><span style=\"color: #808080; text-decoration: underline;\">Back to Gallery<\/span><\/span><\/a><\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; 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_module_preset=&#8220;default&#8220; custom_padding=&#8220;0px||0px||false|false&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.21.0&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.22.0&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#FFFFFF&#8220; text_orientation=&#8220;center&#8220; global_colors_info=&#8220;{}&#8220;]<p><span>@2023 &#8211; ARTGEDECK, Mich\u00e8le Pinkernell<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"<p>Die Versuchung der Kuh nach Salvador Dal\u00edDie Versuchung der Kuh \u00a0 \u00a0 \u00a0 \u00a0nach Salvador Dal\u00ed 100 cm mal 150 cm, Hochformat Acryl auf Leinwand Das Vorbild f\u00fcr dieses Gem\u00e4lde hei\u00dft Die Versuchung des heiligen Antonius von Salvador Dal\u00ed. Es ist im Querformat und etwa einen Meter mal einen Meter zwanzig gro\u00df. Eine Prozession riesiger [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-820","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Salvador Dal\u00ed von Pinky auf ARTGedeck<\/title>\n<meta name=\"description\" content=\"Salvador Dal\u00ed von Pinky auf ARTGedeck zeigt die letzten Augenblicke eines Haferhalms. Warum das interessant ist, erf\u00e4hrst du hier. 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